The Forgiven

A Novel
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In this haunting novel, journalist and novelist Lawrence Osborne explores the reverberations of a random accident on the lives of Moroccan Muslims and Western visitors who converge on a luxurious desert villa for a decadent weekend-long party.

David and Jo Henniger, a doctor and a children's book author, in search of an escape from their less than happy lives in London, accept an invitation to attend a bacchanal at their old friends' home, deep in the Moroccan desert. But as a groggy David navigates the dark desert roads, two young men spring from the roadside, the car swerves...and one boy is left dead.
When David and Jo arrive at the party, the Moroccan staff, already disgusted by the rich, hedonistic foreigners in their midst, soon learn of David's unforgiveable act. Then the boy's irate Berber father appears, and events begin to spin beyond anyone's control.
With spare, evocative prose, searing eroticism, and a gift for the unexpected, Osborne memorably portrays the privileged guests wrestling with their secrets amid the remoteness and beauty of the desert landscape. He gradually reveals the jolting backstory of the young man who was killed and leaves David’s fate in the balance as the novel builds to a shattering conclusion.

Now with Extra Libris material, including a Q&A and bonus content


  • Selected by The Economist as one of the Best Books of the Year 2012
  • Selected by Library Journal as one of the Year's Best Books 2012
  • Year's Best Books Chosen by Writers, selected by Lionel Shriver, The Guardian 2012

"British fiction isn't exactly in the middle of a boom. The greats of Graham Greene, William Golding and Evelyn Waugh are long gone, their heirs - Salman Rushdie, Julian Barnes, Martin Amis, Ian McEwan - have begun their slow recession into the twilight, and the new guard of promising young authors are thin on the ground. Yet into this relatively quiet period for British fiction, someone remarkable and unexpected - lingering between the shadowy, post-colonial penumbra of Graham Greene and the brave new horizons of a globalised world - has emerged fully armed with a formidable, masterly grip on the British novel...Combining his sensitivity to old, vanished Britain with his brilliant, nomadic eye for the glittering tarnish of the modern world, Osborne has arrived late, but as a thrilling, exceptional talent in British fiction's landscape." — The London Sunday Times

“The prose of The Forgiven has a very particular, knowing luminosity, much like the tarnished world it describes. A beautiful, compelling book to savor line by line.” — Nikita Lalwani, author of Gifted

"A sinister and streamlined entertainment...this is a lean book that moves like a panther. Even better, Mr. Osborne has a keen and sometimes cruel eye for humans and their manners and morals, and for the natural world. You can open to almost any page and find brutally fine observations...this is a writer whose pilot light is always on." — Dwight Garner, The New York Times Book Review

The Forgiven shines darkly with a rich and mordant fatalism. Obsorne's characters emerge like people in a dream -- diamond-sharp but fascinatingly askew. His prose is gorgeous and precise; the story slices keenly through the exotic haze of its setting. It's an absolutely brilliant novel.” — Kate Christensen, author of The Epicure's Lament and The Astral

“No mere imitation but a contribution to the shelf on which The Sheltering Sky and The Bonfire of the Vanities also sit, The Forgiven explores the clash of two cultures, each of which feels superior to the other. Osborne's writing is uncomfortably well observed; his story is sickeningly, addictively headlong.” — Lionel Shriver

"A perfect storm of a novel." — The Fredericksburg Star

“Extraordinarily acute to human nature... Stylishness holds the book together, and makes all the bits of plot machinery feel new again...a book filled with lovely scenes. There are enough ways to read the book that one finishes it and immediately wants to start it again.” — Akhil Sharma, Newsweek

“A brilliant, unsentimental rendering of contemporary East-West conflict and the imperfect human psyche….Osborne has done an extraordinary job of capturing moral complexity, never letting his characters or his readers off easy. The result should be grim reading, but instead it’s vivifying. Highly recommended.” — Library Journal, starred review

"In the Clash of Civilizations, political scientist Samuel P. Huntington predicted that cultural and religious identities would be the main source of conflict in the 21st century. It is precisely these ideological differences between the East and West that echo through Lawrence Osborne’s sublime new book, The Forgiven. Like Graham Greene and Oscar Wilde, Osborne explores ambivalent themes of morality and privilege. The Forgiven is as much about imperialism as it is about deteriorating relationships and atonement... the conclusion can best be described as shattering. Osborne’s previous work of fiction Ania Malina came out over 20 years ago. Here’s hoping we don’t have to wait another two decades for the next one" — Leher Kala, Indian Express

"Lawrence Osborne's The Forgiven is an elegant, seductive novel that slyly exposes the assumptions blithely made and abruptly overturned when privilege and poverty collide. Throughout the novel, this writer, who has been understandably compared with Waugh and Greene, restlessly adjusts our perspective, allowing us to see through the eyes of the Hennigers, their hosts, the servants, and the desert dwellers as this morality tale plays out, and as the desert itself seems to reassert its presence. Osborne also gives the dead man, Driss, a life and a story of his own, one that intersects with the lives of the Hennigers not once but twice in the novel's shocking, perfect's a drama that unfolds with the relentlessness of an ancient myth and the intensity of a psychological thriller." — The Barnes and Noble Review

"The Forgiven is a lean elegant work reminiscent of Fitzgerald in its ability to set the mood and of Paul Bowles’ The Sheltering Sky for the way it captures both the beauty and desolation of the desert. This is not to say it is a derivative work, for Osborne’s voice is his own and he builds this tale so well...The book is marvelously constructed and, like the desert and its people, remains enigmatic right up until the last page"  — The Gilmore Guide to Books

"Violence and debauchery in the Moroccan desert lead to cultural misunderstandings... and to more violence and debauchery... A gripping read with moral ambiguity galore" — Kirkus Reviews, starred review

"In Osborne’s brilliant, unsentimental rendering of contemporary East-West conflict and the imperfect human psyche, there’s a lot to forgive and no easy wrap-up. Novelist and travel writer Osborne has done an extraordinary job of capturing moral complexity, never letting his characters or his readers off easy. The result should be grim reading, but instead it’s vivifying. Highly recommended." — Library Journal, starred review

"Osborne portrays the vacuity of high society as gorgeously and incisively as he does the unease of cultures thrust together in the unforgiving desert" — Publisher's Weekly, starred review

"In his elegant and incisive first novel, travel-journalist Osborne hauntingly captures this exposed essence in all its inscrutable mystery and dispassionate brutishness." — Carol Haggas, Booklist

"As he digs deeper, Osborne exposes the many conflicts underlying the various relationships he describes. Betrayals of religion, culture, family and particularly money – what people with money may do, what other people must do for money – are brought to life with subtlety and savagery.The heat, the desert landscape, and each side’s complete obliviousness to the other’s point of view make The Forgiven a fascinating and thought-provoking novel." — Alexandra Bowie, The Brooklyn Bugle

"Although one emerges from this strange and complex novel as if from a dream, a little reflection makes it clear that our dreams can easily become nightmares.Written in beautifully nuanced prose complete with vivid descriptions of place... A quiet unease hangs over the action, reinforcing the notion of Western arrogance in a world full of life and death but also rich in ruined emotional fragments. Reminiscent of Paul Bowles, the real setting of The Forgiven is not the vast, uncharted Moroccan desert but the vast, uncharted reaches of the human heart." — Curled Up With a Good Book

"Osborne’s writing is well observed and tightly controlled. The narrative preceding the scene where David hits and kills the boy is perfectly paced, building the sense of approaching doom until the reader can hardly bear the tension. When it finally happens, however, the sense of foreboding isn’t relieved, but increased further and we see the future for David and Jo mapped out already...Osborne excels in his precise use of language. Every word works hard as it shifts the reader’s perspective between the characters. In a lesser writer’s hands this constant shift of point of view would make for an uneasy read, but Osborne is a gifted writer able to guide his readers seamlessly through the heads of his many characters with the use of a single word that tells us all we need to know about the character whose eyes we are seeing the events through. As the perspective shifts between the characters and their prejudices, the reader is forced to make their own judgment on the events. This novel is no easy ride, but it’s fast and exhilarating and constantly worth the effort needed to keep up with the characters... This is the work of a man whose eye is always observing, always seeing, hearing, smelling every detail of the world around him and the result is evocative prose carrying the reader into the minutiae of Osborne’s creation. The ending is sharp, unexpected and inevitable and brings together the themes of forgiveness and retribution that permeate the story: the work of a writer in full control of his story and plot. The Forgiven is a wonderful book that explores human morality, set against a harsh and unforgiving background, skilfully and beautifully evoked with precise prose." — Julie Fisher, Bookmunch

"Like any desert trip, Lawrence Osborne's The Forgiven is alarming and liberating in equal measure. Here is a tale as hot, claustrophobic and gritty as being rolled in the sand after a sweat bath. But it's also a novel with a vast moral horizon, which recedes and advances disorientatingly, leaving the reader with a thrilling sense of vertigo. Written with an untimely elegance more 1930s than 2010s, the book proceeds at thriller pace or, at least, it would if almost every page didn't cause you to fixate on a clinical insight into human nature or a snatch of dream-like description...A number of people have compared Osborne to Evelyn Waugh: this is the Waugh of A Handful of Dust, who understands how flimsy the veneer of civilisation can be. However, with the arrival of the dead man's father, Abdellah, The Forgiven subtly shifts into another gear... As unsettling, mysterious and ambiguous as the demonically beautiful trilobite fossils that permeate its pages, The Forgiven presents a compelling riddle of the sands." — Adrian Turpin, The Literary Review

"A master of the high style." — Nicholas Lezard, The Guardian

"Osborne writes mercilessly, savagely well. He excavates his characters, and the centuries-long cultural rift between the desert people and the Western infidels with a pathologist’s precision, wrapping fear, boredom, forgiveness, judgment, honour and sexual attraction into a novel that plunges with sinister pace towards its denouement." — Victoria Moore, The Daily Mail

"Brooding, compelling...There’s a strong, almost old-fashioned moral force at work in Osborne’s novel (only his second, following his 1986 debut about a wartime love affair), as can be gleaned from the book’s very title. One of the most appealing aspects of Osborne’s novel is the way in which, from this gripping starting point, he begins to wrongfoot the reader. He introduces, for instance, not only Abdellah’s narrated point of view, but that of the dead man, Driss, revealing the circumstances that led to his being on the roadside where he was knocked over. At Richard’s house party, meanwhile, the atmosphere of febrile over-indulgence seems to forebode some possible coming calamity. At the novel’s dramatic close, you could accuse Osborne of forcing the hand of moral come-uppance just a little too much — but it barely detracts from the tension he has maintained throughout the novel, and the pleasure of his bringing under such scrutiny the unpredictable behaviour of his morally tortuous characters." — Robert Collins, The London Sunday Times



They didn’t see Africa until half past eleven. The mists broke apart and motorboats with European millionaires came swooping out of the blue with Sotogrande flags and a flash of tumblers. The migrants on the top deck began to shoulder their bags, revived by the idea of home, and the look of anxiety that hovered in their faces began to dispel. Perhaps it was just the sun. Their secondhand cars stored in the hull revved as their children scattered about with oranges in their hands, and an energy seemed to reach out from the edge of Africa to the Algeciras ferry, polarizing it. The Europeans stiffened.

Sunbathing in their deck chairs, the British couple were surprised by the height of the land. On the tops of the mountains stood white antenna masts like lighthouses made of wire, and the mountains had a feltlike greenness that made you want to reach out and touch them. The Pillars of Hercules had stood near here, where the Atlantic rushes into the Mediterranean. There are places that are destined to seem like gates. One can’t avoid the sensation of being sucked through a portal. The Englishman, a doctor of a certain age, shaded his eyes with a hand bristling with ginger hairs.

Even with the naked eye, they could make out the snaking outlines of roads that might have been there since Roman times. David Henniger thought, “Perhaps it’ll be easier than we think, this drive. Perhaps it’ll be a pleasure after all.” From a boom box near the flagpole came a few bars of rai, of Paris hip-hop. He watched his wife reading a Spanish paper, flicking the pages back and forth indifferently, then glanced down at his watch. People were waving from the approaching city, raising handkerchiefs and fingers, and Jo took off her shades for a moment to see where she was. He admired the frank confusion written all over her face. L’Afrique.

They went for a beer at the Hotel d’Angleterre. It was not hot. The air was wet with recently broken mist. Con men and pretty “guides” danced around them while the sun drenched the terrace with a smell of varnish and peppercorns and stale beer. A laughing mood dominated the seedy expats and their hangers-on nursing their plates of unshelled nuts and their cooled gins. We were once the most formidable bohemians, their faces said to the newcomers, and now we are delightful, playful shits because we have no choice.

The Hennigers had arranged for an agent to deal with the car rental, a man who would run back and forth with keys and contracts, and while they waited for him, they had a few beers with grenadine and some fried goat cheese cigares. He waited to form an impression. The streets seemed massively solid with their French facades, and there was a gritty shade at their bottom. The girls were swift and insolent, with adultery in their eyes. It wasn’t bad.

“I’m glad we aren’t staying,” she said, biting her lip.

“We’ll stay on the way back. It’ll be interesting.”

He took off his tie. His eyes felt intensely alive somehow and he wondered if she ever noticed these slight alterations of mood, of intention. “I like it,” he thought. “I like it better than she does. Maybe we’ll stay a little after the weekend.”

On the road to Chefchaouen, they didn’t speak. The car rented from Avis Tangier was an old Camry, its brakes soft and its red leather torn. He drove it nervously in his perforated driving gloves, warily avoiding the women in ribboned straw hats who infested the hard shoulder, pushing mules ahead of them with sticks. The sun grew fierce; it was a long road bordered by stones and orange trees, and above it rose the hillside slums, the gimcrack apartment blocks, the antennas that decorate every middle-income city. One couldn’t see the beginning or the end of it. There was just the taste of sea.

All was dust. He drove on doggedly, determined to get out of the city as fast as possible. The light all day had finally worn his eyes down; the road was reduced to a geometric glare alive with hostile movements: animals, children, trucks, broken-down thirty-year-old Mercedes.

The suburbs of Tangier were ruined, but the gardens were still there. And so were the crippled lemon trees and olives, the dogged disillusion and empty factories, the smell of seething young men.

The Hotel Salam in Chefchaouen looked over a river called the Oued el Kebir and a gorge; the road on which it stood, avenue Hassan II, was a steep lane of hotels, for the Marrakech and the Madrid were just next door, and along it the city walls loomed up, white and monkish. The tour buses were already there; the salon was full of Dutch couples feeding upon mountains of turmeric eggs. The Hennigers were not sure whether to enter the hotel lounge and participate in this buffet orgy or to stay aloof. The Dutch looked frantic and disturbed, as if they hadn’t eaten in days. David wondered if they were given sandwiches on their immense buses. They were faintly disgusting, with their big red faces and their beefy adolescent ruminants grazing around the buffet tables. He was hungry himself.

“Let’s eat straightaway,” he said excitedly, “but not here. Perhaps outside, away from the Continental wildebeest? I wonder if one can get a drink that isn’t Pellegrino Citrus?”

Fortunately the Salam had its own terrace and it was not too crowded. They took a table with views and ate their tagine citron with a bottle of cold Boullebemme. It was wine, at least, and he said a silent thank-you to it.

“Should you be drinking?” she asked quietly.

“Oh, it’s just a glass. A glass of fly pee. This stuff is fly pee. Look at it.”

“It’s not fly pee. It’s fourteen percent. You have to drive another five hours.”

She began to devour the salted olives at their table. David always took these sorts of remarks in his stride, and he settled down.

“It’ll make it easier. I know it’s the lame excuse of every alcoholic. But it will.”

“I shouldn’t let you, Stumblebum.”

“I would anyway. The roads are empty.”

“What about the trees?”

There had been eleven years of this sort of contest; the exact, fastidious Jo crossing lances with the bad-tempered David, who always felt that women were out to suppress the peccadilloes that made life half worth living. Why did they do this? Were they envious of life shimmering away with improvised masculine curiosities and pleasures without their consent? One had to ask the question. You could smile or not--it was up to you. Jo was ten years younger than him, a mere forty-one, but she acted like an ancient nanny. She enjoyed reproving him, pulling him back from tiny adventures that would have no consequences even if they were allowed to degenerate to their natural conclusions. “I’d never hit a tree anyway,” he thought. “Never in a thousand years. Not even in my sleep.” She swallowed half a glass of the raw Moroccan wine and he raised an arch eyebrow. She wiped her mouth defiantly. The blood rushed into her brow, into the corners of her mouth.

“You always get what you want, David. It’s our schema, isn’t it? You always do what you bloody want.”

“I’m not putting your life in danger.” His voice was a little pleading. “That’s absurd.”

We’ll see if it’s absurd, she thought.

“Also,” he went on coolly, “it’s patently not true. I very rarely, as you put it, get to do what I want. Most of the time, I am following orders.”

At the bottom of the gorge stood white houses with jars of salted lemons on their roofs. Around them, dogs barked in the palm groves, and the waiters at the Salam seemed subtly ashamed of them. One of the Dutch beauties floated in the little terrace pool, rotating slowly under the first stars while gazing at her own toes. He watched her with meticulous curiosity. Her breasts nicely rounded, parting the waters. The dinner was short and efficient, because their minds were racing ahead to the journey instead of enjoying the present moment. Afterward, he finished the remains of the Boullebemme and cleaned his teeth with a pick from the center of the table. Something in his voice was not quite right.

“I feel like going for a walk. Let’s get coffee up at the kasbah, no? The waiters here are making me feel gloomy.”

Avenue Hassan II led straight into the Bab El Hammar and the kasbah by way of the lovely place El Makhzen. In the first hour of dimming, the menfolk were out in force on the long square filled with trees, eager for debate in crisply laundered djellabas; they stood around in circular groups holding hands, fingering rosaries behind their backs.

There was something shrill but paradoxically quiet about the masculine cleanliness, the speed of the children whistling about with shopping bags and peaches. The whitewash, the angular shadows. She gripped his hand, the marriage ring biting into his palm, and she held on to it as if it would provide long, consecutive moments of stability inside this flux. Did she need him more for a little while, just enough to get through this town? The petty disputes of the last few weeks melted away and in the end it was all just words and words, she thought, words that melt away easily as soon as you are in a strong enough sun and you are moving. They found a lopsided square with a fig tree where there was a Cafe du Miel with tables that all leaned to one side on the slope on cedarwood legs. It offered no drinks, but strong coffee with grains and a good smoke, and he felt at home at once. There was a saucer of cardamom seeds for the coffee and a plate of almond pastries. Small acts of delicacy. The streets were patriarchal, if you liked, but they possessed intimacy. The trees made delicate shadows on the underfoot stones. He stretched and dropped a cardamom pod into his coffee.

“I feel less tired now. I think this afternoon was the worst stretch. If we leave at seven, we can be there by midnight or so.”

“Do you think they’ll wait up?”

“They’ll wait up. We’re a large percentage of their weekend emotionally speaking. They’ll be boozing long past midnight.”

Or all night, she thought hopefully.

“It’s not a military timetable,” he said with more conciliation. “If you want to stay here a night, I don’t mind. I was thinking . . . two nights of party might well be more than enough.”

She shook her head.

“I don’t want to, I want to get to Richard’s place.”

In a moment, her eyes brimmed over, and she felt an irrational hatred of the whole situation. It was the usual things. The heat and the thick coffee and the stickiness in the air and the tone in his voice. That clipped and impatient twang seemed to go so perfectly with the way the men in the cafes stared at them with their eyes held back in some way, yet sharpened by their provincial curiosity and used like pointed sticks to pry. She had thought a trip through the desert would give her ideas for a new book, but such calculations rarely pan out. What kind of new book after all? Instead, she was beginning to feel boxed in by the schedule to which they had to stick, and the men in the street stared and stared and their hands played with rosaries on the surfaces of the tables. They stared so hard she felt her center of gravity giving way. They stared with a blank hatred, but it was equally possible that it was not hatred but a sense of unconscious superiority that did not even need to be conscious in order to put the other in her place.

“It’ll be all right,” he said tersely. “We know they’re repressed and enraged. They treat their woman like donkeys. For them, you are an escaped donkey.”

She looked away, and she was gripping her napkin.

“I hate it when you say that.”

“Why? It’s true, isn’t it?”

“It doesn’t matter if it is.”

“I would say it mattered,” he countered. “I would say it mattered if they disliked your presence because of your sex.”

“I’m sure it isn’t that. And you have no idea how they treat their women--none.”

He laughed and picked up a cardamom with two fingers. She was being sophistic.

“Well, have it your way, Miss Feminist.”

Wanting to show off his French, he asked the owner of the Cafe du Miel seated at the next table how hot it was in the desert. The Moroccans went into the usual exaggerations.

“Vous allez souffrir, vous allez voir. Mais c’i beau, c’i tres beau.”

On the walk back to the Salam, he took her hand. The dogs were so loud in the gorge that he couldn’t relax; his mind began to turn with a pitiless inertia all its own. Had it been a good idea, he wondered, this extravagance, this sudden departing, this rush to amusement? All for the sake of fun and friendship and three days under a fiercer sun. He knew she hadn’t wanted to come. But something in him enjoyed the coercion he was imposing upon her. He liked pissing people off when he thought their irritations sprang from their rigidity and hypocrisy, and hers certainly did. He thought of himself as a cleansing agent, a purifier of other people’s prejudice. She would be better off for it in the long run, he was certain, and as he thought this, a delicious pity crept into his calculations, a grim tenderness that had no actual purpose relative to his wife. It was like tending a pasture, clipping the edges with a sharp pair of shears. Keeping order with love and keeping the monsters at bay.

The Spanish Mosque was lit up, the water on the terrace pool flashing as the wind hit it. Two men walked arm in arm down Hassan II, whispering intently. No women on the streets now; it was the hour of men. Their eyes were upon the tall blonde in her worn cotton dress and red sandals, her jewelry and freckles. There was evidently a pleasure simply in tracking such a gazelle (that was the word they liked). Her gait that hoped to conceal itself from sexual curiosity, not quite a woman’s sassy walk. They could easily guess that she was a writer, an intellectual, just as they could guess that he was a doctor and a bore.

David and Jo got into the car. He opened the Michelin map and struggled to find the fine red line that was the route they had to follow without fail. She kissed his cheek, and there was sand between her lips, just as there was sand on his face. It was already everywhere, and it irritated him. The granules itched inside his ears.

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